Editing
Structure and pace
Documentaries, commercials, podcasts and creator channels. We shape your footage into a cut with rhythm, then handle sound and clean-up so it holds up anywhere it plays.
How editing works
Video & Photo Studio
Good footage, great final version.
EUGENIA STANEV is the editing and finishing partner behind your film: careful cuts, honest color, and files that land on the day we promised.
On-time habit
Feedback in clear sentences, never vague adjectives.
NDA by default
One email thread from first brief to final files.
No middlemen
Notes in plain sentences, never vague adjectives.
Fixed scope
Fixed scope, fixed date, no surprise extras.
01 — Services
Three ways we can help your project this month
No package menus, no upsells. You get one of these — done properly, on a date we commit to in writing.
Color
Grade & finish
A look that belongs to your film, not a preset menu. We match scenes, build a palette, and finish in the formats your platform actually accepts.
How color works
Retouching
Clean, not plastic
Portraits, products and editorial work, cleaned and balanced without that plastic look. Skin stays skin, texture stays texture, and the client stays happy.
How retouching works
02 — Recent work
A few recent finishes
03 — The studio
A one-person post house, run properly.
EUGENIA STANEV is a one-person post house, run by EUGENIA STANEV out of Orhei, Moldova, working with clients in fourteen countries. Small by choice — because a single careful editor, reachable by email, is usually better than a production line.
The studio stays small on purpose: a short roster, a written brief, and a fixed date on every project. Nothing drifts.
- Written brief and scope before any work starts
- Secure file delivery and confidentiality by default
- Feedback in clear notes, not vague adjectives
7 yrsIn post
52Repeat clients
220+Projects
17Countries
04 — How it works
From brief to delivery, in four steps
Deposit
Half the fixed price books your slot. The rest is due when you receive the finished files.
Quote
A fixed price and a delivery date in writing. Half upfront books your slot; the rest on delivery.
Rough cut
The first cut lands quickly and we refine it in clear, numbered rounds.
Deliver
Final payment, master files, and every format and caption you asked for.
05 — Journal
Notes between projects
What "cinematic editing" actually means (and what it doesn't)
Rhythm, coverage and restraint — a practical look at what actually reads as cinematic.
Read the piece
The LUT is a starting point, not a look
A LUT can get you near the finish, but a grade is finished in the balance, not in the preset.
Read the piece
The retoucher’s checklist before export
The three or four things every finished retouch should pass before it leaves your desk.
Read the piece
06 — Client words
Notes clients left behind
“
Every note I left came back addressed, not just acknowledged. That is rarer than it should be.
Inga RotariWedding photographer, Cluj
“
A one-person studio that handled three projects at once without mixing a single note.
Goran VlasicEvents producer, Zagreb
Quotes reflect individual client experiences. Results vary by project and are not a guarantee of any outcome.
Got footage that's waiting for its final version?
Tell us what you have and when you need it. The quote arrives within one working day.